Something Out of Nothing

I finally watched the Mysterious Stranger movie that I rediscovered the other day. I don’t know why I was hesitant to see it again; finding it felt like the last piece of a puzzle and I guess I didn’t want to place it and be done. I remember so much of the movie so clearly. Some parts of it were even ideas I thought I had come up with myself, I had forgotten that they were part of the story. I remember watching The Miracle Worker on TV and empathizing so strongly with Helen Keller that I had a bit of an existential crisis. I was eight years old and I had my first glimpse of mortality and human limitations, but also rising above those limitations. The Mysterious Stranger had an existential message as well, but it was more subtle, it didn’t cause the same type of crisis in me anyway; maybe because I’d already confronted that reality a few years earlier.

Mark Twain’s tale has an interesting story itself. He had written three different versions, but never published them. After he died, the person that held Twain’s unpublished manuscripts, Albert Bigelow Paine, combined bits and pieces from all three versions into a book and published it as the story that Twain had intended. In 1963, scholars discovered what Paine had done and that he had heavily edited and added his own writing into the mix. In fact, the movie talks a little bit about this in the opening. The movie is based on the most complete version that Twain has written.

In it, Number 44, New Series 864,962, (also known as Satan, nephew of the fallen angel Satan in some version of the story) comes to an Austrian medieval print shop in the form of a ball of light before manifesting into a human form. He proceeds to befriend an apprentice named August and shares with him the true nature of reality all while causing hijinks at the castle. There’s a manipulative alchemist, a greedy wife, the good-hearted master, an out of shape abbot, and the print shop crew, one of which is played by a young Christoph Waltz!

Twain, through Number 44, talks about the folly of religion, the nature of good and evil and reality itself. He talks about the idea that there are two selves, a dream self and a working self. We have the ability to choose which one to focus on, or to be.

I can see why the movie had such a profound impact on me and why I’ve been fascinated by existentialism for most of my life. I didn’t know it at the time, but I’m sure it’s part of why I choose philosophy as my major in college. I have always spent a lot of time thinking. It can sometimes get me into trouble, but most of the time it serves me well.

If you’re interested, there has been quite a bit written about the stories and what Mark Twain was trying to communicate through them. Here’s an article I plan to spend more time with.